![]() This book will provide a reader with skill and understanding in using Max/MSP for sound design and musical composition. Structured for use in university courses, the book is an overview of the theory and practice of Max/MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. ![]() It is part of a teaching method incorporating a substantial amount of online supporting materials: hundreds of sound examples and interactive examples, programs written in Max, as well as a library of Max objects created especially for this book. This is the second in a series of three volumes dedicated to digital synthesis and sound design. ![]() ISBN-10: 8899212104 ISBN-13: 978-8899212100 Paperback: 592 pages + online Language: English also available for iBooks at the Apple Store 3 will include digital audio and sampled sounds, delay lines (echo, loops, flangers, chorus effects, phasers, pitch shifting, reverse, comb filters, allpass filters, Karplus-Strong algorithm), MIDI and realtime control, dynamics processors (compressors, expanders, gates, limiters), reverb and spatialization, Max for Live, non-linear synthesis (AM, RM, FM, PM, PD and non-linear distortion), granular synthesis and other topics. Comprehensive online support, running parallel to the explanations in the book, includes hundreds of sample patches, analyses, interactive sound-building exercises, and reverse engineering exercises. Chapter I – Introduction to Sound Synthesis and Signal Processing Chapter II – Additive Synthesis Chapter III – Subtractive Synthesis Chapter IV – Controls and LFO Structured for use in university courses, the book is an overview of the theory and practice of Max/MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. Fourth Edition updated for MAX 8 – More than 500 pages, interactive examples, hundreds of patches, online support, theory and Max/MSP glossary, test, reverse engineering exercises, analyses, completion and correction of patches, etc.
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